Daniel Schorr | Issue 12, Fall 2026

CONTENT NOTE: This piece discusses Florence Welch’s ability to blend maximalist “sonic landscapes” with intimate lyricism. The author notes Welch’s exploration of witchcraft, magic, and folk horror, throughout the album.

On Florence + The Machine’s Everybody Scream, Florence Welch depicts herself as a witch grappling with her power following a near-death experience. It’s an interesting look into fame—the privileges and costs. On some tracks, Welch savors her power (“Sympathy Magic”), on others her influence frightens her (“Kraken”). At times, Welch breaks from tie-ins to folk horror. On “Buckle,” she shows vulnerability beyond her powerful persona, begging her subject to treat her poorly, because at least they would be acknowledging her. Blending maximalism and subtlety, Welch creates a sonic landscape that is both incredibly dynamic and satisfyingly cohesive. As a lyricist, she proves she’s able to tell large, theatrical stories while also getting deeply intimate. Her voice is both versatile and instantly recognizable. It seems like Florence + the Machine strengthens their sound with every release, and this might just be their strongest yet.