Melanie Robinson | Issue 6, Spring 2025
pegging, a pastoral
You seem a cathedral, celebrant of the spring which shivers for me among the long blacktrees. – William Carlos Williams, “Spring and All: Chapter XIII [Thus, weary of life]”
polite cactus wrens linger with eyes
that glint across dusty, placid twilight
old book said some consider the joshua
tree to be the ugliest plant in existence
baby yucca moths snuggle sweetly to its
acrid flowers & ossified leaves growing in
bullet time—i watched the crooked-mouthed
poet piss all over the coxcomb mountains
his dumb silhouette was marred by tawny
clay & a marmalade sky freckled with vultures
he writes about old trucks & a polished
walnut bowl he made for his young mistress
a carpenter, a tourist in snakeskin
boots & a pearl snap—truth isn’t
surmountable, yet i rode him & called
him daddy—forgive me, patsy
cline, it’s the mojave, the tequila
cured with rattlesnake meat or
the clouds o’keefe stretched into canna
lilies—you know i can’t say no
to a ceremony or a garden filled
with the sloughed skin of insects
lean into the artifice, salvageable keep-
sakes—beige macrame, prickly pear
syrup, ornate ashtray, pricey
prerolls, pushpin night, sheer
linen curtains, a desert cottontail
munching on bony shrubbery
in the distance—what a
scene, what a performance
Melanie Robinson
Melanie Robinson (she/they) is a poet, journalist, educator, artist, business owner, and sometimes musician, based in Los Angeles. They hold an MFA in Poetry from Texas State University and have served as the 2019-2020 Poet in Residence at the Clark House in Smithville, Texas. Their work has been published in numerous journals, includingKingfisher Magazine,Rust + Moth,Radar,Hooligan Magazine, and more. They currently own and operate a small content writing business and are in the process of completing their first manuscript.





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